photo by Catalina Kulczar
Composer Molly Herron “thinks deeply about motion, energy, and the physics of sound” (NPR). Whether writing for baroque strings, flowerpots, or newly designed instruments, her work achieves “a wonderful consideration of counterpoint and sound in time” (Seen and Heard International).
Released on New Amsterdam Records, the album “Through Lines: New Music for Viola da Gamba” is a collaboration with the viol consort Science Ficta. Of the album, I Care If You Listen says: “"The casual listener might get pleasantly lost within the sounds of these pieces, while deep listening reveals smartly crafted layers of historical and contemporary ideas ... In negotiating the space between the conventional and the unconventional, [Herron] creates a connection between composers of the past and herself, a thoughtful and skilled composer of the 21st century."
Herron’s work has been featured on the Bang on a Can Marathon, MATA festival, American Composers Orchestra’s SONiC Festival, Fast Forward Austin, Berlin Film Festival, and Sundance Film Festival.
She has written for The Orchestra of St. Luke’s, Argus Quartet, Sō Percussion, Contemporaneous, and the String Orchestra of Brooklyn among many others. Her work has been supported by the DeGaetano Composers Institute, MATA, The New York Foundation for the Arts, The Brooklyn Arts Council, the Copland Fund, Avaloch Farm New Music, and Exploring the Metropolis.
Herron received a Masters of Music degree from The Steinhardt School at New York University and a Ph.D from Princeton University. She is an Assistant Professor of Composition and Theory at Vanderbilt University.
Get in touch! mollyherron at gmail dot com
